"Premiere One-Act Festival starts off with a bang with Jonathan Dorf's FOREPLAY . . ." Buzz Weekly (Los Angeles, CA)

". . . very definitely funny" The Daily Progress (Charlottesville, VA) about THE WHITE PAGES

"The high spot of the afternoon . . . was Jon Dorf's manically funny THE WHITE PAGES . . ." CVI Weekly (Charlottesville, VA)

". . . the most interesting and most stimulating work [of the evening]" The Philadelphia Inquirer about PLAY'S END (fka FOREPLAY)

". . . in heightened dialogue reminiscent of Pinter, Dorf shows quite effectively how a parent's attitudes can influence a child without either of them knowing it." The Philadelphia Inquirer about PLAY'S END (fka FOREPLAY )

"THE WHITE PAGES . . . is a zany farce with a touch of gentle satire." Frontiers (Los Angeles, CA)

". . . several macabre moments decorate the writing . . ." Drama-Logue (Los Angeles, CA) about PLAY'S END (fka FOREPLAY )

“. . . Dorf’s witty take on life in these modern times.” Bay Area Reporter (San Francisco, CA) about A-BOMB WEDDING

“Funny and unexpectedly psychotic . . . its premise is undeniably interesting.” Suburban and Wayne Times (suburban Philadelphia, PA) about THE WHITE PAGES

"CRASH POSITIONS is delivered in excellent taste and with humor abounding." Rice University Thresher (Houston, TX)

"CRASH POSITIONS steals the show . . ." Rice University Thresher

"It is a thorougly enjoyable black comedy." Salient, the magazine of Victoria University, Wellington (New Zealand) about BEEF JUNKIES