HOW TO ORDER A READING COPY OF
NEVERLAND
Neverland is licensed by Original Works Publishing. To request
a perusal copy or performance rights, visit their website.
ABOUT THE PLAY
Dark comedy. 1 male, 2 females. 90 minutes. Multiple suggested
settings.
Neverland premiered at City Theater Company in
Wilmington, DE.
SYNOPSIS
Eight year old WENDY eats apples out of the garbage. She finds
a hundred dollars in a wallet, and her friend PETER (one actor
plays each character at all of the different ages), same age,
convinces her to return all of it—except for one dollar
for luck. Wendy's family wins the lottery—using the dollar—and
become millionaires, but Peter doesn't want Wendy at his ninth
birthday party. Though Peter excludes her, Wendy, with the help
of her imaginary “friend,” J.M. (all other characters
are designed to be played by one actress), decides that Peter
is "the one" for her.
Nearly four years later, Peter moves. As his overbearing MOTHER
tells him to get a paper route, Wendy, looking so different that
Peter doesn't recognize her, appears. Wendy immediately makes
a pass at him and wants to French kiss him, but Peter gets cold
feet. After a confrontation with his Mother, he runs away
Another five years elapses, and Peter is in a juvenile detention
center. Wendy, again completely unrecognizable, visits him; she
is his reading tutor. But again, her attempt at contact fails.
Another eight years passes, and Wendy this time shows up as Peter’s
teaching assistant in college—he has gotten his life together
somewhat, and he remembers his detention center reading tutor
as someone who played a pivotal role in his turnaround. But in
the present, Wendy once more fails, and Peter decides that it’s
best for him to transfer out of her section.
Five more years go by, and Wendy is Peter’s waitress at
a diner where he is a regular. Peter tells her—he doesn’t
realize who she is—about how he ran away from his college
graduation after a confrontation with his Mother. Or was it just
in his mind? Peter flees the restaurant, and shortly thereafter
reappears as a homeless man. Wendy, passing out sandwiches, tries
to give him a tongue sandwich, but it reminds him too much of
his failed French kiss from all those years ago, and he berates
her for it. This final rejection pushes Wendy over the edge. She
turns to drugs and alcohol. J.M. returns to “encourage”
her collapse.
Ten
years later, Peter works as a tour guide for a river kayaking
company. Their roles reversed, Wendy is his customer, and when
she pulls out a flask, Peter, who quickly determines that she
is drunk, decides they must return to shore. Wendy, about to tell
him who she is, flees instead after they land. Peter follows her
back to her apartment, and eventually she tells him who she is.
But before she can invite Peter in, J.M. appears to lead Wendy
back to drug and alcohol-induced oblivion.
After an attempt at counseling which fails—Wendy
accuses Peter of stalking her when he shows up at the session—Wendy
takes refuge on the ledge of her apartment. Peter tries to talk
her down, but J.M. arrives. To Peter, she looks like his Mother.
Wendy chokes J.M. to “death,” and Wendy and Peter
have their long-delayed French kiss before settling in to see
where it will lead.
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